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Already
there's discontent on the festive front. It's not enough to
just be jovial and jolly anymore. Heavens, no. Now you need
to be witty and alternative: A latex Christmas, a Dickensian,
miserable, Scandinavian, ridiculous Christmas. You name it,
and it's poking fun at Santa and his fluffy rimmed hat. Thankfully,
as fans of everything fun and alternative, we're embracing it
all. La Noël est mort! Vive la Noël!
This weekend's guide is brought to you by Riedel, the bespoke,
grape-specific wine-glass artisans with over 250 years experience.
Teaming up with the 11th generation, family-owned artificers,
we have ten of their absolutely stunning wine decanters to give
away to UJ readers. See here
for details.
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This
weekend's picks: |
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A Dickens of a Christmas, Norwegian Christmas Concert, Loss Christmas Special |
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Nonsense Nativity, 1-2-3-4 Winter Offensive, Torture Garden Winter Wonderland Xmas Ball |
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Billy Bragg In Conversation, Cinderella, Rodrigo Y Gabriela |
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7 Fingers: Loft, Secret Wars, Festival Remix |
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Enchanted Woodland, The 27th Great Christmas Pudding Race |
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L'Autre Pied, Automat |
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1-2-3-4
Winter Offensive
Love or loathe him, when Sean McClusky throws an event, few
can rival the kind of line-ups that he musters. NYC collective
ARE Weapons, UJ-favourite Whitey, electropop purveyors Bolt
Action Five, Bono Must Die and Bombay Bicycle Club (apparently
not the Indian restaurant in Clapham) are just some of the main
troublemakers. And with acoustic sets from Doolittle and their
ilk, it's all far less offensive than its name might suggest.
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Time: |
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7pm-4am |
Place: |
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Rich Mix, 35-47 Bethnal Green Rd, E1 6LA |
Cost: |
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£10 adv. |
Info: |
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the1234.co.uk |
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7
Fingers: Loft
Cirque de Soleil. Momix. Been there done that. And
it seems that even some of the performers have decided it's
time to move on. The seven Canadians who constitute the group's
titular digits have all worked in these kind of huge, sprawling
visual feats. But, after coming together and creating this smaller,
tighter collective, the circus that they now produce has been
equally stripped down; and through this returned simplification,
it has exploded. The central premise holds seven friends as
they toy with the everyday items around them - a tablecloth,
an apple, a bathtub, knives, dolls - yet the imaginative potential
they derive from these humble, domestic beginnings is as refreshing
and hypnotic as circus has always meant to be.
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Secret
Wars
Secret Wars, the fight club of the street art scene,
is a 90 minute mano a mano of marker pen conflict. For the last
two weeks, the Secret Wars crew, including the likes of Teck
1 and Jimi Crayon, have been cooped in a wee, aptly decorated
van, challenging the graphical elite in every major European
city for their Don't Sleep tour with Daydream Network. Now back
on home territory, expect a wild crowd and some of the UK's
freshest artists as tonight sees not only the last semi-final
of the championship and the return of the Secret Wars finest,
but also the first birthday of the Daydream Network lot.
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Festival
Remix
There is something distinctly amusing about the illuminatory
one-upmanship that's threatening both retinas and electricity
rates across the city. Half-arsed Christmas lights have been
burning throughout the West End since early November, last week
had Canary Wharf come alive with hundreds of glowing eyes, and
just this week saw the lighting of the annual 20-footer in Trafalgar
Square. Compared to David Batchelor, however, these are all
mere appetizers, as from Friday he returns to illuminate the
Southbank Centre with his enormous, sprawling, and ever-popular
riot of colour, where he is joined this year by Anya Gallaccio's
1000 hand-tinted red and green light bulbs. Even art, it seems,
isn't immune to this festive tide.
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Sakenohana
Alan Yau is one of those rare restaurateurs
who, it seems, never puts a foot wrong.
Hakkasan is the Chinese answer to Nobu, Yauatcha has made dim
sum chic and Busaba Ethai is the Wagamama generation's current
spicier, more grown-up canteen of choice. He's even managed to
wangle some Michelin stars for his chefs.
So it's no wonder it was with baited breath that London waited
for his latest place to open. A Japanese to rival the city's finest,
in a previously jinxed location? Had the man bitten off more tempura
than he could chew?
From the glossy black lobby to the simple wooden 'sake-bar' style
of the first floor diining-room it's good to see Yau's nack for
design hasn't diminished and service, provided by ninja-like waiters
is equally stealthy.
Menuwise, although there were a couple of combinations that didn't
work (like soft-shell crab with too gloopy a sauce), dishes like
red king crab legs with daikon and ponzu and Chilean sea bass
with miso and shimeji mushrooms more than made up for it and hinted
that this modern Japanese is here to stay.
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Hours: |
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Mon-Sun 12-3pm & 6pm-12am (Sun -11pm) |
Place: |
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23 St. James Street, SW1A 1HA |
Cost: |
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£80 |
Web: |
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mail@sakenohana.com |
Book: |
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0207 925 8988 |
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Waterloo
Brasserie
This newly-opened brasserie, slap-bang opposite
the Old Vic, couldn't really be more different from its Cheyne
Walk sibling.
Gone are the gentle muted hues, replaced by a racy black and
orange interior (thanks to an obviously rather hot-blooded Spanish
designer), and, as its location dictates, there are less blondes
with blow-drys and more power-lunchers from theatreland and the
entertainment industry dining there. When I had lunch there I
overheard two suits discussing plans to start a string of Ronnie
Scotts to rival the Hard Rock - you heard it here first!
The only real likeness is in the menu, although that has been
jazzed up somewhat too. Though fundamentally brasserie-ish, there
are a few interesting twists, like pumpkin crumble with roasted
pancetta, but the real allure lies in the classics like onion
soup, cassoulet and croque monsieur, as well as a very appealing-sounding
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